Perry was born in 1915 to a musical family and began playing the violin at a young age, while his brothers Joe and Bay became a baritonist and drummer, respectively. Perry sang during his violin solos, inspiring Slam Stewart to continue the practice on bass. He performed more frequently on alto saxophone.
He worked bread and butter gigs with the best in the business, including Dean Earl (1935), Clarence Carter (1937–39, not the R&B singer), Blanche Calloway(1940), and Lionel Hampton (1940–43). Despite his short career, Ray Perry worked with many jazz artists, including:
In the early 1950s, he moved to Paris and became part of the modern jazz scene, playing in the style of Jimmy Raney that was popular at the time. In 1954 and 1956, he recorded albums for Barclay Records and Polydor Records. His reputation as a virtuoso guitarist spread rapidly in the jazz world, though fame eluded him.
In 1956, he moved to Canada, where he played regularly for the Montreal Jazz Society and met Sonny Rollins. Rollins invited him to a concert in Philadelphia and to record the album Sonny Rollins and the Big Brass Trio.
While in the U.S., he played with Toshiko Akiyoshi and Bobby Jaspar and recorded with her on her 1958 album United Notions. In 1960, he made his American debut as a leader with the album Guitar Groove.
Returning to Europe in 1962, he toured and recorded with Chet Baker, Bobby Jaspar, Kenny Clarke, Eddy Louiss, Stan Getz, Lucky Thompson, Sonny Criss, Jacques Pelzer, Lou Bennett, Charles “Lolo” Bellonzi and Ingfried Hoffmann.
In 1971, Stan Getz saw him and his group at the Blue Note in Paris and picked the three of them up, Thomas, organist Eddy Louiss and drummer Bernard Lubat, for a quartet date at Ronnie Scott’s in London. Recordings from three days of their sessions were captured by Beatles’ producer George Martin for the album Dynasty.
Thomas died of a heart attack in Santander, Spain at the age of 47 on 3 January 1975
World Music with Sivuca from Brazil
Daily Roots with Prince Far I Dub
Performing at the Mt Zion Shabbat Service
at the Mussar for Everyone Shabbat Retreat
Saturday February 24th 10am
at Camp Butwin in Egan
Performing this Mumford & Sons song
From our vantage point in the Milky Way Galaxy, we see NGC 6946 face-on. The big, beautiful spiral galaxy is located just 10 million light-years away, behind a veil of foreground dust and stars in the high and far-off constellation of Cepheus. From the core outward, the galaxy’s colors change from the yellowish light of old stars in the center to young blue star clusters and reddish star forming regions along the loose, fragmented spiral arms. NGC 6946 is also bright in infrared light and rich in gas and dust, exhibiting a high star birth and death rate. In fact, since the early 20th century at least nine supernovae, the death explosions of massive stars, were discovered in NGC 6946. Nearly 40,000 light-years across, NGC 6946 is also known as the Fireworks Galaxy. This remarkable portrait of NGC 6946 is a composite that includes image data from the 8.2 meter Subaru Telescope on Mauna Kea.
George Harrison MBE (25 February 1943 – 29 November 2001) was an English guitarist, singer-songwriter, and producer who achieved international fame as the lead guitarist of the Beatles. Often referred to as “the quiet Beatle”, Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles’ work. Although the majority of the band’s songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group included “Taxman“, “Within You Without You“, “While My Guitar Gently Weeps“, “Here Comes the Sun” and “Something“, the last of which became the Beatles’ second-mostcovered song.
Harrison’s earliest musical influences included George Formby and Django Reinhardt; Carl Perkins, Chet Atkins and Chuck Berry were subsequent influences. By 1965, he had begun to lead the Beatles into folk rock through his interest in the Byrds and Bob Dylan, and towards Indian classical music through his use of thesitar on “Norwegian Wood (This Bird Has Flown)“. Having initiated the band’s embracing of Transcendental Meditation in 1967, he subsequently developed an association with the Hare Krishna movement. After the band’s break-up in 1970, Harrison released the triple album All Things Must Pass, a critically acclaimed work that produced his most successful hit single, “My Sweet Lord“, and introduced his signature sound as a solo artist, the slide guitar. He also organised the 1971 Concert for Bangladesh with Indian musician Ravi Shankar, a precursor for later benefit concerts such as Live Aid. In his role as a music and film producer, Harrison produced acts signed to the Beatles’ Apple record label before founding Dark Horse Records in 1974 and co-founding HandMade Films in 1978.
Harrison released several best-selling singles and albums as a solo performer. In 1988, he co-founded the platinum-selling supergroup the Traveling Wilburys. A prolific recording artist, he was featured as a guest guitarist on tracks by Badfinger, Ronnie Wood and Billy Preston, and collaborated on songs and music with Dylan, Eric Clapton, Ringo Starr and Tom Petty, among others. Rolling Stone magazine ranked him number 11 in their list of the “100 Greatest Guitarists of All Time”. He is a two-time Rock and Roll Hall of Fame inductee – as a member of the Beatles in 1988, and posthumously for his solo career in 2004.
Harrison’s first marriage, to model Pattie Boyd in 1966, ended in divorce in 1977. The following year he married Olivia Arias, with whom he had a son, Dhani. Harrison died in 2001, aged 58, from lung cancer that was attributed to years of cigarette smoking. His remains were cremated and the ashes were scattered according to Hindu tradition in a private ceremony in the Ganges and Yamuna rivers in India. He left an estate of almost £100 million.
David “Fathead” Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by singer-pianist Ray Charles.
The All Music Guide to Jazz wrote that “there have not been many saxophonists and flutists more naturally soulful than David “Fathead” Newman,” and that “one of jazz’s and popular music’s great pleasures is to hear, during a vocalist’s break, the gorgeous, huge Newman tones filling the space . . . .” Newman is sometimes cited as a leading exponent of the so-called “Texas Tenor” saxophone style, which refers to the many big-toned, bluesy jazz tenor players from that state.
Newman was born in Corsicana, Texas, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. According to one account, he got his nickname “Fathead” in school when “an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside down on the stand.