Zion Gate Dub
Messier 81 (also known as NGC 3031 or Bode’s Galaxy) is a spiral galaxy about 12 million light-years away, in the constellation Ursa Major. Due to its proximity to Earth, large size, and active galactic nucleus (which harbors a 70 million M supermassive black hole), Messier 81 has been studied extensively by professional astronomers. The galaxy’s large size and relatively high brightness also make it a popular target for amateur astronomers.
Most of the emission at infrared wavelengths originates from interstellar dust. This interstellar dust is found primarily within the galaxy’s spiral arms, and it has been shown to be associated with star formationregions. The general explanation is that the hot, short-lived blue stars that are found within star formation regions are very effective at heating the dust and thus enhancing the infrared dust emission from these regions.
Eugene “Jug” Ammons (April 14, 1925 – August 6, 1974), also known as “The Boss”, was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and R&B, but his career was hampered by two incarcerations on drugs charges.
Born in Chicago, Illinois, Ammons studied music with instructor Walter Dyett at DuSable High School. Ammons began to gain recognition while still at high school when in 1943, at the age of 18, he went on the road with trumpeter King Kolax‘s band. In 1944 he joined the band of Billy Eckstine (who bestowed on him the nickname “Jug” when straw hats ordered for the band did not fit), playing alongside Charlie Parker and later Dexter Gordon. Notable performances from this period include “Blowin’ the Blues Away,” featuring a saxophone duel between Ammons and Gordon. After 1947, when Eckstine became a solo performer, Ammons then led a group, including Miles Davis and Sonny Stitt, that performed at Chicago’s Jumptown Club. In 1949 Ammons replaced Stan Getz as a member of Woody Herman‘s Second Herd, and then in 1950 formed a duet with Sonny Stitt.
Rogers appeared on the 1954 Shelly Manne album The Three and the Two along with Jimmy Giuffre. Much of the music he recorded with Giuffre showed his experimental side, resulting in an early form of avant-garde jazz. He also made notable recordings with Art Pepper and André Previn, among others.
Vocalist, songwriter, percussionist and luthier, was born in Freetown, Sierra Leone, in a family of musicians.
He grew up listening to the songs of his mother, mix Fullah and Mandingo, and assimilating the rhythms that his grandfather played on the drums, experiences that have marked his musical identity.
From an early age Seydu was an integrant of the ” Sierraleonean National Dance Troupe “, founded by his grandfather.
With this troupe he traveled to Nigeria where he lived in the commune of Fela Kuti.
Tribute to King Tubby
This interacting galaxy duo is collectively called Arp 142. The pair contains the disturbed, star-forming spiral galaxy NGC 2936, along with its elliptical companion, NGC 2937 at lower left.
Once part of a flat, spiral disk, the orbits of the galaxy’s stars have become scrambled due to gravitational tidal interactions with the other galaxy. This warps the galaxy’s orderly spiral, and interstellar gas is strewn out into giant tails like stretched taffy.
Gas and dust drawn from the heart of NGC 2936 becomes compressed during the encounter, which in turn triggers star formation. These bluish knots are visible along the distorted arms that are closest to the companion elliptical. The reddish dust, once within the galaxy, has been thrown out of the galaxy’s plane and into dark veins that are silhouetted against the bright starlight from what is left of the nucleus and disk.
The companion elliptical, NGC 2937, is a puffball of stars with little gas or dust present. The stars contained within the galaxy are mostly old, as evidenced by their reddish color. There are no blue stars that would be evidence of recent star formation. While the orbits of this elliptical’s stars may be altered by the encounter, it’s not apparent that the gravitational pull by its neighboring galaxy is having much of an effect.
Above the pair, an unrelated, lone, bluish galaxy, inconsistently cataloged as UGC 5130, appears to be an elongated irregular or an edge-on spiral. Located 230 million light-years away, this galaxy is much closer to us than the colliding pair, and therefore is not interacting with them. It happens to lie along the same line of sight to foreground Milky Way stars caught in the image.
Arp 142 lies 326 million light-years away in the southern constellation Hydra. It is a member of the Arp catalog of peculiar galaxies observed by astronomer Halton C. Arp in the 1960s.
Albert Leornes Greene (born April 13, 1946), often known as The Reverend Al Green, is an African American singer, songwriter and record producer, best known for recording a series of soul hit singles in the early 1970s, including “Take Me to the River“, “Tired of Being Alone“, “I’m Still in Love with You“, “Love and Happiness“, and his signature song, “Let’s Stay Together“. Inducted to the Rock and Roll Hall of Fame in 1995, Green was referred to on the museum’s site as being “one of the most gifted purveyors of soul music”. He has also been referred to as “The Last of the Great Soul Singers”. Green was included in the Rolling Stone list of the 100 Greatest Artists of All Time, ranking at No. 65.
Albert Leornes Greene was born on April 13, 1946, in Forrest City, Arkansas. The sixth of ten children born to Cora Lee and Robert G. Greene, Jr., a sharecropper, Al began performing with his brothers in a group called the Greene Brothers at around the age of ten. The Greene family relocated to Grand Rapids, Michigan, in the late 1950s. Al was kicked out of the family home while in his teens, after his devoutly religious father caught him listening to Jackie Wilson.
Edwin “Eddie” Marshall (April 13, 1938 – September 7, 2011) was an American jazz drummer.
Marshall was born in Springfield, Massachusetts. He played in his father’s swing group and in R&B bands while in high school. He moved to New York City in 1956, developing his percussion style under the influence of Max Roach and Art Blakey. Two years later he played in the quartet of Charlie Mariano and with Toshiko Akiyoshi; after two years’ service in the Army, he returned to play with Akiyoshi again in 1965. He worked with Mike Nock for a year in the house band of the New York nightclub The Dom, and also worked with Stan Getz and Sam Rivers, and accompanied Dionne Warwick on tours.