What’s that green streak in front of the Andromeda galaxy? A meteor. While photographing the Andromeda galaxy in 2016, near the peak of the Perseid Meteor Shower, a sand-sized rock from deep space crossed right in front of our Milky Way Galaxy‘s far-distant companion. The small meteor took only a fraction of a second to pass through this 10-degree field. The meteor flared several times while braking violently upon entering Earth’s atmosphere. The green color was created, at least in part, by the meteor’s gas glowing as it vaporized. Although the exposure was timed to catch a Perseids meteor, the orientation of the imaged streak seems a better match to a meteor from the Southern Delta Aquariids, a meteor shower that peaked a few weeks earlier. Not coincidentally, the Perseid Meteor Shower peaks again tonight.
He is the leader of the Pat Metheny Group and is also involved in duets, solo works, and other side projects. His style incorporates elements of progressive and contemporary jazz, Latin jazz, and jazz fusion. Metheny has three gold albums and 20 Grammy Awards and is the only person to win Grammys in ten different categories. He is the brother of jazz flugelhornist Mike Metheny.
When Pat Metheny Group (ECM, 1978) was released, the Group was a quartet comprising, besides Metheny, Danny Gottlieb on drums, Mark Egan on bass, and Lyle Mays on piano, autoharp and synthesizer. All but Egan had played on Metheny’s album Watercolors (ECM, 1977), recorded a year before the first Group album.
The long list of his collaborators includes Lyle Mays, Bill Frisell, Billy Higgins, Brad Mehldau, Charlie Haden, Chick Corea, Dave Holland, Dewey Redman, Eberhard Weber, Herbie Hancock, Jack DeJohnette, Jaco Pastorius, John Scofield, Joni Mitchell, Joshua Redman, Marc Johnson, Michael Brecker, Mick Goodrick, Roy Haynes, Steve Swallow, and Tony Williams.
Jonathan David Samuel Jones (October 7, 1911 – September 3, 1985) was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones.
Born in Chicago, Illinois, Jones moved to Alabama, where he learned to play several instruments, including saxophone, piano, and drums. He worked as a drummer and tap-dancer at carnival shows until joining Walter Page‘s band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter‘s Serenaders in 1931, and later joined pianist Count Basie‘s band in 1934. Jones, Basie, guitarist Freddie Green and bassist Walter Page were sometimes billed as an “All-American Rhythm section,” an ideal team. Jones took a brief break for two years when he was in the military, but he remained with Basie until 1948. He participated in the Jazz at the Philharmonic concert series.
He was one of the first drummers to promote the use of brushes on drums and shifting the role of timekeeping from the bass drum to the hi-hatcymbal. Jones had a major influence on later drummers such as Buddy Rich, Kenny Clarke, Roy Haynes, Max Roach, and Louie Bellson. He also starred in several films, most notably the musical short Jammin’ the Blues (1944).
Sami from Norway
Although there are no seasons in space, this cosmic vista invokes thoughts of a frosty winter landscape. It is, in fact, a region called NGC 6357 where radiation from hot, young stars is energizing the cooler gas in the cloud that surrounds them. This composite image contains X-ray data from NASA’s Chandra X-ray Observatory and the ROSAT telescope (purple), infrared data from NASA’s Spitzer Space Telescope (orange), and optical data from the SuperCosmos Sky Survey (blue) made by the United Kingdom Infrared Telescope. Located in our galaxy about 5,500 light years from Earth, NGC 6357 is actually a “cluster of clusters,” containing at least three clusters of young stars, including many hot, massive, luminous stars. The X-rays from Chandra and ROSAT reveal hundreds of point sources, which are the young stars in NGC 6357, as well as diffuse X-ray emission from hot gas. There are bubbles, or cavities, that have been created by radiation and material blowing away from the surfaces of massive stars, plus supernova explosions. Astronomers call NGC 6357 and other objects like it “HII” (pronounced “H-two”) regions. An HII region is created when the radiation from hot, young stars strips away the electrons from neutral hydrogen atoms in the surrounding gas to form clouds of ionized hydrogen, which is denoted scientifically as “HII”. Researchers use Chandra to study NGC 6357 and similar objects because young stars are bright in X-rays. Also, X-rays can penetrate the shrouds of gas and dust surrounding these infant stars, allowing astronomers to see details of star birth that would be otherwise missed.
Thetakudi Harihara Vinayakram (born 11 August 1942), also known as Vikku Vinayakram, is a Grammy Award–winning Indian percussionist. He plays Carnatic music with the ghatam, an earthen pot, and is credited with popularising the ghatam.
He was awarded the Padma Shri, given by Government of India in 2002, and later the 2012 Sangeet Natak Akademi Fellowship, the highest honour in the performing arts conferred by the Sangeet Natak Akademi, India’s National Academy for Music, Dance and Drama. Finally he was awarded the Padma Bhushan in 2014.
Vinayakram was born to Kalaimaamani T. R. Harihara Sharma, a musician and teacher. He took up playing at a very young age.
Eldridge Freeman (August 11, 1921 – 2006), also known as “Buzz” Freeman or “Bruz” Freeman, was an American jazz drummer.
Born in Chicago, with his brothers, guitarist George Freeman and tenor saxophonist Von Freeman, he played for several years in the house band at the Pershing Hotel. He was also the uncle of Chico Freeman, the son of Von Freeman.
In the mid-1950s, he was a member of the Hampton Hawes Quartet, with Red Mitchell and Jim Hall, and with line-ups led by Herb Geller. In 1950, with his brothers George and Von (originally misidentified as Claude McLin), LeRoy Jackson, and Chris Anderson, he played with Charlie Parker shortly before his death, at a jam session recorded at Bird’s apartment which was released in 1960 by Savoy.