Charles Anthony “Buster” Williams (born April 17, 1942 in Camden, New Jersey) is an American jazz bassist. Williams is known for his membership in pianist Herbie Hancock‘s early 1970s group, working with guitarist Larry Coryell from the 1980s to present, working in the Thelonious Monk repertory band Sphere and as the accompanist of choice for many singers, including Nancy Wilson.
Williams’ father, Charles Anthony Williams, Sr., was a musician who played bass, drums, and piano, and had band rehearsals in the family home in Camden, New Jersey, exposing Williams to jazz at an early age. Williams was particularly inspired to focus on bass after hearing his father’s record of Star Dust, performed by Oscar Pettiford, and started playing in his early teens. He had his first professional gig while he was still a junior high school student, filling in for Charles, Sr., who had double booked himself one evening. Williams later spent his days practicing with Sam Dockery, who was playing in Jimmy Heath‘s band in Philadelphia on a regular double bill with Sam Reed. Charles, Sr. hosted a jam session at a club called Rip’s and gave Williams the opportunity to put his own group together for a Monday night show in 1959, and in an effort to work his way into Heath’s band, Williams hired Sam Reed. The plan worked, as two days later Reed contacted Williams about playing in his band that coming Saturday, which demonstrated Williams’ talent to Heath, who in turn hired Williams the following week. Just after graduating high school in 1960, Williams had the opportunity to play with Gene Ammons and Sonny Stitt when Nelson Boyd reached out to Charles, Sr. to cover for him. Charles, Sr. was also unable to make the gig, and sent Buster in his stead. After the first set on a Friday night, Ammons and Stitt asked Williams to join the band on tour, starting in Chicago, after playing through the weekend in Philadelphia. Williams toured with them for about a year, from 1960 into 1961, until the group got stranded in Kansas City and was abandoned by Ammons, who fled without paying the band. The rhythm section managed to work with Al Hibbler for one week in order to earn enough for train fare to return home. Williams made his first two recordings with the Ammons/Stitt group in August 1961, Dig Him! for Argo Records and Boss Tenors for Verve, both recorded in Chicago.
Colombian musical prodigy Edmar Castañeda was born March 31, 1978 in Bogotá, Colombia. He began playing the difficult and exotic Colombian harp at the early age of 13.
Dub Take the Voodoo Out of Reggae
In this picture, taken with the help of the NASA / European Space Agency Hubble, a massive cluster of galaxies glittering brightly in the silent darkness of outer space is presented. Despite all its splendor, this cluster of galaxies is not at all the poetic name of PLCK G308.3-20.2. Clusters of galaxies can contain thousands of galaxies connected by gravity. Earlier, clusters of galaxies were considered to be the largest structures of the universe – superclusters of galaxies, until this title was not taken away from them in the 1980s. These massive formations usually consist of several dozen clusters and groups of galaxies and span hundreds of millions of light years. However, clusters of galaxies have one important property, which is absent in superclusters – the supercluster of galaxies are not connected by gravity, so clusters of galaxies remain the largest structures of the universe, connected by gravity.
Read more at: https://upcosmos.com/hubble-watches-a-massive-cluster-of-galaxies/
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flutist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was “Hijack“, which was a Billboard No. 1 dance hit for three weeks in 1975.
Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the “epitome of a groove record” was Memphis Undergroundor Push Push, because the “rhythm section locked all in one perception.”
Herbie Mann was born in Brooklyn, New York, to Jewish parents, Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), of Romanian descent who was born in Bukovina, Austria-Hungary but immigrated to the United States with her family at the age of 6. Both of his parents were dancers and singers, as well as dance instructors later in life. He attended Lincoln High School in Brighton Beach. His first professional performance was playing the Catskills resorts at age 15. In the 1950s Mann was primarily a bop flutist, playing in combos with artists such as Phil Woods, occasionally playing bass clarinet, tenor saxophone and solo flute.
Bennie Green (April 16, 1923 – March 23, 1977) was an American jazz trombonist.
Born in Chicago, Illinois, Green worked in the orchestras of Earl Hines and Charlie Ventura, and recorded as bandleader through the 1950s and 1960s. According to critic Scott Yanow of Allmusic, Green’s style straddled swing music and soul, making him one of the few trombonists of the 1950s and ’60s uninfluenced by the pioneering sound of J.J. Johnson.
Green relocated to Las Vegas where he played in hotel bands for the last decade of his career, though he made occasional appearances at jazz festivals. He died on March 23, 1977.
Purnell was born in New Orleans on April 16, 1911. He sang before playing piano professionally, beginning to do so locally in New Orleans in 1928. He played in the 1930s with Isaiah Morgan, Alphonse Picou, Big Eye Louis Nelson, Sidney Desvigne, and Cousin Joe, and with Bunk Johnson in the middle of the 1940s. Purnell joined George Lewis‘s band after Johnson’s broke up in 1946, and remained there well into the 1950s, including for international tours.
In 1957 Purnell relocated to Los Angeles. There he worked with Teddy Buckner, Young Men from New Orleans, Joe Darensbourg, Kid Ory, Barney Bigard, and Ben Pollack. He also recorded extensively as a leader, including for Warner Bros. Records, GHB, and Alligator Jazz. In the 1970s and 1980s, Purnell was a regular at the South Bay New Orleans Jazz Club in Gardina California, with or often shared the stage with Ed Garland or Buddy Johnson.
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