In this image, two spiral galaxies, similar in looks to the Milky Way, are participating in a cosmic ballet, which, in a few billion years, will end up in a complete galactic merger — the two galaxies will become a single, bigger one.
Located about 150 million light-years away in the constellation of Canis Major (the Great Dog), NGC 2207 — the larger of the two — and its companion, IC 2163, form a magnificent pair. English astronomer John Herschel discovered them in 1835.
The fatal gravitational attraction of NGC 2207 is already wreaking havoc throughout its smaller partner, distorting IC 2163’s shape and flinging out stars and gas into long streamers that extend over 100,000 light-years. The space between the individual stars in a galaxy is so vast, however, that when these galaxies collide, virtually none of the stars in them will actually physically smash into each other.
This image was captured with the ESO Faint Object Spectrograph and Camera (EFOSC2) through three wide band filters (B, V, R). EFOSC2 has a 4.1 x 4.1 arcminute field of view and is attached to the 3.6-metre telescope at ESO’s La Silla Observatory in Chile.
born May 30th 1962
Darrell Grant, performer, composer and Portland State University professor, has built an international reputation as a stellar pianist and versatile musician. A gifted artist whose four previous recordings have topped jazz charts, Darrell explores the lyricism and soul of songs with beauty, joy and passion. He has appeared on major concert stages from the Weill Recital Hall at Carnegie Hall to the Monterey, Telluride and San Francisco Jazz Festivals. He has been a guest on Marian McPartland’s “Piano Jazz” on NPR and toured internationally with many jazz legends.
Born in 1962 in Philadelphia, Grant moved to Denver, CO, as a young child. Starting piano lessons before his teens, Grant was enough of a prodigy that he joined the Boulder, CO-based Pearl Street Jazz Band, a young but internationally renowned traditional New Orleans-style combo, at the age of 15, touring worldwide with the group for two years. Grant won a scholarship to the Eastman School of Music in Rochester, NY, at the age of 17; while at Eastman, Grant focused on performance studies over theory, which he covered in his graduate studies in jazz theory and composition at the University of Miami.
Dave McKenna (May 30, 1930 – 18 October 18, 2008) was an American jazz pianist known primarily as a solo pianist and for his “three-handed” swing style. He was a significant figure in the evolution of jazz piano.
At age 15, McKenna worked in big bands with Charlie Ventura (1949) and Woody Herman’s Orchestra (1950–’51). He then spent two years in the military before returning to Ventura (1953–’54). During his career he worked in swing and dixieland settings with Al Cohn, Eddie Condon Stan Getz, Gene Krupa, Zoot Sims, Joe Venuti, and often with Bob Wilber and Bobby Hackett. McKenna released his first solo album in 1955. During the 1980s, he worked as a pianist at the Copley Plaza Hotel in Boston.
Benjamin David “Benny” Goodman (May 30, 1909 – June 13, 1986) was an American jazz clarinetist and bandleader known as the “King of Swing”.
In the mid-1930s, Goodman led one of the most popular musical groups in the United States. His concert at Carnegie Hall in New York City on January 16, 1938 is described by critic Bruce Eder as “the single most important jazz or popular music concert in history: jazz’s ‘coming out’ party to the world of ‘respectable’ music.”
Goodman’s bands launched the careers of many major jazz artists. During an era of racial segregation, he led one of the first well-known integrated jazz groups. Goodman performed nearly to the end of his life while exploring an interest in classical music.
Goodman was born in Chicago, the ninth of twelve children of poor Jewish emigrants from the Russian Empire. His father, David Goodman (1873–1926), came to America in 1892 from Warsaw in partitioned Poland, and became a tailor. His mother, Dora (née Grisinsky, 1873–1964), came from Kovno, partitioned Poland. His parents met in Baltimore, Maryland, and moved to Chicago before Benny was born. With little income and a large family, they moved to the low-rent Maxwell Street neighborhood, an overcrowded slum near the railroad yards and surrounding factories, populated mostly by Irish, German, Scandinavian, Italian, Polish, and Jewish immigrants.
Gjallarhorn rejuvenated traditional music rooted in the Swedish folk music of Finland. Their music was a modern echo of the ancient Nordic folk tradition with mythical medieval ballads, whirling minuets, prayers in runo-metric chanting and ancient Icelandic rÍmur (sung poetry) epics.
The pair of galaxies NGC 1531/2, engaged in a spirited waltz, is located about 70 million light-years away towards the southern constellation Eridanus (The River). The deformed foreground spiral galaxy laced with dust lanes NGC 1532 is so close to its companion — the background galaxy with a bright core just above the centre of NGC 1532 — that it gets distorted: one of its spiral arms is warped and plumes of dust and gas are visible above its disc. The cosmic dance leads to another dramatic effect: a whole new generation of massive stars were born in NGC 1532 because of the interaction. They are visible as the purple objects in the spiral arms.
This exquisite image was made using the 1.5-metre Danish telescope at the ESO La Silla Observatory, Chile. It is based on data obtained through three different filters: B, V and R. The field of view is 12 x 12 arcmin.
Wycliffe A. Gordon (born May 29, 1967) is an American jazz trombonist, arranger, composer, band leader, and music educator at the collegiate-conservatory level. Gordon also sings and plays didgeridoo, trumpet, tuba, and piano. His nickname is “Pinecone”.
Gordon was born in Waynesboro, Georgia into a religious and musical background that influenced the early direction of his music. His father, Lucius Gordon (1936–1997), was a church organist at several churches in Burke County, Georgia and a classical pianist and teacher. Gordon took an interest in jazz in 1980 when he was thirteen, while listening to jazz records inherited from his great-aunt. The collection included a five-LP anthology produced by Sony-Columbia. In particular, he was drawn to musicians like Louis Armstrong and the Hot Fives and Hot Sevens.