Gabriel Yared (Arabic: غبريال يارد; born 7 October 1949) is a Lebanese-French composer, best known for his work in French and American cinema.
Born in Beirut, Lebanon, Yared scored the French films Betty Blue and Camille Claudel. He later worked on English-language films, particularly those directed by Anthony Minghella. He won an Academy Award for Best Original Score and a Grammy Award for his work on The English Patient (1996) and was nominated for both The Talented Mr. Ripley (1999) and Cold Mountain (2003).
see full post...Mel Brown (October 7, 1939 – March 20, 2009) was an American-born blues guitarist and singer. He is best remembered for his decade long backing of Bobby Bland, although in his own right, Brown recorded over a dozen albums between 1967 and 2006.
Brown was born in Jackson, Mississippi, United States, and was presented with his first guitar as a teenager while recovering from a bout of meningitis. By 1955, after performing backing duties for both Sonny Boy Williamson II and Jimmy Beasley, Brown had a two year long stint backing Johnny Otis. This led to work with Etta James, where he swapped his Gibson Les Paul for an ES-175 to give him a richer and fuller tone to his guitar work, that set him apart from his contemporaries.
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Larry Young (also known as Khalid Yasin [Abdul Aziz]; October 7, 1940 – March 30, 1978) was an American jazz organist and occasional pianist. Young’s early work was strongly influenced by the soul jazz of Jimmy Smith, but he later pioneered a more experimental, modal approach to the Hammond B-3.
Born and raised in Newark, New Jersey, United States, Young attended Newark Arts High School, where he began performing with a vocal group and a jazz band.
Young played with various R&B bands in the 1950s, before gaining jazz experience with Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobley and Tommy Turrentine. Recording as a leader for Prestige from 1960, Young made a number of soul jazz discs, Testifying, Young Blues and Groove Street. When Young signed with Blue Note around 1964, his music began to show the marked influence of John Coltrane.
see full post...onathan David Samuel Jones (October 7, 1911 – September 3, 1985) was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones.
Born in Chicago, Illinois, United States, Jones moved to Alabama, where he learned to play several instruments, including saxophone, piano, and drums. He worked as a drummer and tap-dancer at carnival shows until joining Walter Page‘s band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter‘s Serenaders in 1931, and later joined pianist Count Basie‘s band in 1934. Jones, Basie, guitarist Freddie Green and bassist Walter Page were sometimes billed as an “All-American Rhythm section,” an ideal team. Jones took a brief break for two years when he was in the military, but he remained with Basie until 1948. He participated in the Jazz at the Philharmonic concert series.
He was one of the first drummers to promote the use of brushes on drums, and shifting the role of timekeeping from the bass drum to the hi-hat cymbal. Jones had a major influence on later drummers such as Buddy Rich, Kenny Clarke, Roy Haynes, Max Roach, and Louie Bellson. He also starred in several films, most notably the musical short Jammin’ the Blues (1944).
see full post...Prayers for Israel and Palestine today
see full post...Barnard 150, also known as Seahorse Nebula, is a dark molecular cloud of dust in Cepheus constellation, so thick, that it absorbs all the light that comes from the stars behind it. This molecular cloud is part of our Milky Way galaxy, one of the 182 objects cataloged by astronomer Edward E. Barnard and it lies at about 1200 Light Years away. Cloud location on the Milky Way’s plane, makes it stand out on the background completely filled with colorful stars of any age and size.
Due to all of the light emitted from these stars, the distinctive, serpent like shape of this molecular cloud can be observed. And with rotation of the image by 90 degrees, one can easily recognize why this cloud inherent a second name of “Seahorse Nebula”. This nebula is about 1 degree in size, width of two Moons. What is also interesting about this cloud, as it have 3 highly dense dust cores, which actually is a star formation regions. They were cataloged by Lynds and named LDN 1082 A, B and C, which are marked on annotated image.
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Millicent Dolly May Small CD (6 October 1947 – 5 May 2020) was a Jamaican singer who is best known for her 1964 hit “My Boy Lollipop“. The song reached number two in both the UK and US charts and sold over seven million copies worldwide. It was also the first major hit for Island Records and helped to achieve the label its mainstream success. She was the Caribbean’s first international recording star and its most successful female performer.
see full post...Tony Oladipo Allen (20 July 1940 – 30 April 2020) was a Nigerian drummer, composer, and songwriter who lived and worked in Paris, France. Allen was the drummer and musical director of Fela Kuti‘s band Africa ’70 from 1968 to 1979, and was one of the founders of the Afrobeat genre. Fela once stated that “without Tony Allen, there would be no Afrobeat”. He was described by Brian Eno as “perhaps the greatest drummer who has ever lived”.
Later in life, Allen collaborated with Damon Albarn on several projects, including Gorillaz, the Good, the Bad & the Queen and Rocket Juice & the Moon. Allen’s career and life were documented in his 2013 autobiography Tony Allen: Master Drummer of Afrobeat, co-written with Michael E. Veal, who previously wrote a comprehensive biography of Fela Kuti.
see full post...Samuel Blythe Price (October 6, 1908 – April 14, 1992) was an American jazz, boogie-woogie and jump blues pianist and bandleader. Price’s playing is dark, mellow, and relaxed rather than percussive, and he was a specialist at creating the appropriate mood and swing for blues and rhythm and blues recordings.
Price was born in Honey Grove, Texas, United States. Price formally studied the piano with Booker T. Washington‘s daughter, Portia Marshall Washington (1883–1978). In the mid-1920s, when he was employed in a Dallas music store, Price wrote to Paramount Records recommending Blind Lemon Jefferson to the label.
see full post...The Soleá is synonymous with the Soleares, known as the “Mother of Flamenco”. Flamenco guitarists usually begin their study with the Soleá since it has a relatively slow BPM (usually 50-110BPM). As a result, students have ample time to feel comfortable with the compás accents.
The compás for the Soleá is as follows:
123 456 78 910 1112 or 123 123 12 12 12
Soleá CompásHarmonic tension between the E major and F major chords is prevalent in the Soleá form, causing both harmonic and tension and resolve throughout a performance. A Soleá may include the escobilla section, where the beat shifts to a feeling of three
see full post...IC 5146 (also Caldwell 19, Sh 2-125, Barnard 168, and the Cocoon Nebula) is a reflection/emissionnebula and Caldwell object in the constellation Cygnus. The NGC description refers to IC 5146 as a cluster of 9.5 mag stars involved in a bright and dark nebula. The cluster is also known as Collinder 470. It shines at magnitude +10.0/+9.3/+7.2. Its celestial coordinates are RA 21h 53.5m , dec +47° 16′. It is located near the naked-eye star Pi Cygni, the open cluster NGC 7209 in Lacerta, and the bright open cluster M39.The cluster is about 4,000 ly away, and the central star that lights it formed about 100,000 years ago; the nebula is about 12 arcmins across, which is equivalent to a span of 15 light years.
When viewing IC 5146, dark nebula Barnard 168 (B168) is an inseparable part of the experience, forming a dark lane that surrounds the cluster and projects westward forming the appearance of a trail behind the Cocoon.
Sandra “Puma” Jones (October 5, 1953—January 28, 1990) was an American singer, best known as a member of the Grammy Award-winning reggae group Black Uhuru.
Born in Columbia, South Carolina, Jones graduated from Columbia University in New York City with a master’s degree and served as a social worker. She studied dance with the Chuck Davis troupe where she took a particular interest in African dance. After becoming disillusioned with city life she declared a need to “discover her roots” and moved to Jamaica.
Deciding to build a singing career, Jones briefly sang with Miriam Makeba (then using the name Mama Africa), and sang with the band Sons of Negus led by Ras Michael. In 1978, she was introduced by a mutual friend to Derrick “Duckie” Simpson, the leader of reggae group Black Uhuru. That group was undergoing a significant lineup change that also included the addition of singer Michael Rose. Jones became a full member of Black Uhuru and sang on seven studio albums, starting with Showcase in 1979 and also including the critically acclaimed Red in 1981 and the Grammy Award-winning Anthem in 1983. That album won the award for Best Reggae Album in 1985, the first year of that award’s existence.
Jones was noted for adding lyrics on religious and social topics to Black Uhuru songs, during a period when reggae musicians were often accused of being trite and dismissive of women, and she was also known for her haunting voice. Her last full album with the group was Brutal in 1986, which was nominated for another Grammy Award and reached the charts in New Zealand and the Netherlands. Before sessions began for the album Positive in 1987, Jones was diagnosed with breast cancer. She had to withdraw from Black Uhuru and was replaced by singer Olafunke. Jones returned to the United States for treatment and died at age 36 on January 28, 1990. She was buried near her family home in South Carolina.
see full post...Steven Haworth Miller (born October 5, 1943) is an American musician. He is the founder and only remaining original member of the Steve Miller Band, which he founded in 1966, and is the principal songwriter, lead singer, harmonicist, keyboardist, and one of the guitarists. He began his career in blues and blues rock and evolved to a more pop-oriented arena rock genre during the mid-1970s through the early 1980s, releasing popular singles and albums. Miller was inducted into the Rock and Roll Hall of Fame in 2016.
Born in Milwaukee, Miller received his first exposure to music from his mother, Bertha, whom he described as a remarkable jazz-influenced singer, and his father, George, a physician known as “Sonny” who, in addition to his profession as a pathologist, was a jazz enthusiast and an accomplished amateur recording engineer. Guitar virtuoso Les Paul and his musical partner Mary Ford were regular visitors at the Miller house. The Millers were the best man and the matron of honor at the December 1949 Paul/Ford wedding. Paul became Steve’s godfather. Les Paul heard Steve, who was six, on a wire recording made by Dr. Miller, “banging away” on a guitar given to him by his uncle, Dr. K. Dale Atterbury. Paul encouraged Miller to continue with his interest in the guitar… and “perhaps he will be something one day.”
see full post...Born October 5, 1935 in Greenville, MS
Died January 14, 1992 in Los Angeles, CA
Left Hand Frank was a fun loving, powerfully built bluesman who liked to amuse audiences in Chicago’s South Side blues clubs with comical Donald Duck imitations and muscle-flexing tricks. But what crowds enjoyed even more was the way Frank Craig played guitar. Employing a confident, four-fingered picking style, he played his axe upside down, like several other left-handed bluesmen, with the treble strings at the top. And he played some of the strongest, most distinctive vintage blues to be heard in Chicago.
Frank worked in countless bands during his nearly 40 years in Chicago. He was probably the best musician in most of those groups. But until 1978, Frank never played guitar or sang on a record. Frank found that it was more fun to be a sideman, and he never thought much about becoming a headliner or leading a band.
“Mainly, I don’t like to be worried with it,” Frank explained. “I’ve had quite a few jobs myself, but guys don’t want to act right. It’s too much of a headache. I’d switch over and put that headache on somebody else. I hate to have a headache.”
So Frank left the band leading headaches to bluesmen like Junior Wells, Little Walter, Hound Dog Taylor, and Willie Cobbs. Frank was happy just to play guitar or bass as part of someone else’s band.
When Frank started playing in his hometown of Greenville, Mississippi, he didn’t even have to worry about bands. He could stroll the streets, playing by himself to earn tips from passersby. He got his first guitar on his fourth birthday, October 5, 1939, and quickly learned both blues and country & western from older musicians who were always at his house buying homebrewed corn whiskey from Frank’s mother. Before moving to Chicago at the age of 14, young Frank performed at the local sheriff’s parties, at the local fairgrounds, and around the countryside, carrying his guitar with him on the bus and playing wherever people would pay to see such a child prodigy.
During the early ‘50s in Chicago, Frank was still a street and house party musician, too young to be allowed in the taverns. But he lived within a block of two blues clubs, The Zanzibar and Vi’s Lounge. Frank and two teenaged friends, guitarist Eddie King and bassist Willie Black, eagerly listened at the door whenever Muddy Waters, Little Walter, Memphis Slim or Howlin’ Wolf were performing. After some intense rehearsals, the trio started playing outside The Zanzibar and Vi’s, sharing wine and whiskey with the onlookers. “We’d have a bigger crowd outside than they did inside!” Frank would laugh.
Willie Cobbs, originator of the blues standard “You Don’t Love me,” hired the young bluesmen (who had boldly named themselves the Chicago All-Stars) to work with him in the West Side clubs and on the road. Jimmy Rogers and Lee Jackson let Frank sit in on bass at The Squeeze Club, and in the mid-‘50s, Frank began a long association with his steadiest employer, guitarist James Scott, Jr., at Joe’s 1015 Club on 43rd Street. There were also gigs with Jimmy Dawkins at The Pink Poodle, with Delta bluesman Boyd Gilmore in Pine Bluff, Arkansas, and with Good Rockin’ Charles at a West Side club where the crowds “barn danced” to Frank’s country breakdowns. In the ‘60s, Frank, who was working as a manual laborer during the daytime, played with Junior Wells, Junior Simpkins, Willie Williams, Carey Bell, Little Arthur Gray, Hound Dog Taylor, Little Walter and others, including Willie Cobbs and James Scott again at times. Frank recorded, as a bass player, on an Eddie King single in 1960 and on later sessions behind Morris Pejoe, Little Eddie Newell and Willie Williams.
Frank was just as active, and just as sought after by various bandleaders, in the ‘70s. He was a regular with Johnny Bernard’s group at Louise’s, Porter’s, and other South Side clubs, and continued to work on and off with James Scott. He was a familiar face at the famed Sunday afternoon jam sessions at Florence’s, where Hound Dog Taylor held forth for years. In the late ‘70s, Frank teamed up with two young white newcomers, Dimestore Fred and Pocketwatch Paul, who appeared on his recording debut on Alligator’s Living Chicago Blues series. Frank’s session proved him to be totally rooted in the raw, Delta-based Chicago style of the 1950s, bringing to mind his friends Magic Slim, Jimmy Rogers and Brewer Phillips.
In the 1980s, Frank moved to Los Angeles to live with his sister. His declining health and a series of surgeries led to his abandoning music, and he eventually died in California. An album of a live performance is still in print on a French label.
see full post...James Blanton (October 5, 1918 – July 30, 1942) was an American jazz double bassist. Blanton is credited with being the originator of more complex pizzicato and arco bass solos in a jazz context than previous bassists. Nicknamed “Jimmie,” Blanton’s nickname is usually misspelled as “Jimmy,” including by Duke Ellington.
Blanton was born in Chattanooga, Tennessee. His mother Gertrude was a well known music teacher in Chattanooga, and he spent much of his youth playing in bands led by her. He originally learned to play the violin, but took up the bass while at Tennessee State University, performing with the Tennessee State Collegians from 1936 to 1937, and during the vacations with Fate Marable.
Blanton began to show symptoms of tuberculosis. His condition progressively worsened through the fall of 1941, and in November he was forced to leave the band and seek full-time medical care. Blanton died on July 30, 1942, at a sanatorium in Duarte, California, aged 23.
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Delroy George Wilson CD (5 October 1948 – 6 March 1995) was a Jamaican ska, rocksteady and reggaesinger. Wilson is often regarded as Jamaica’s first child star, having first found success as a teenager. His youngest son, Karl “Konan” Wilson, has found success as part of British duo Krept and Konan.
Delroy Wilson began his recording career at the age of thirteen, while still a pupil at Boys Town Primary School. Wilson released his first single “Emy Lou” in 1962 for record producer, Clement “Coxsone” Dodd. His early years with Coxsone yielded a number of ska hits, the biggest of which, the Lee Perry-written “Joe Liges” was an attack on rival producer and former Dodd employee Prince Buster.
Delroy Wilson died at the age of 46 on 6 March 1995 at Kingston‘s UWI hospital, of complications from cirrhosis of the liver.
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