mick laBriola

Terje Rypdal (born 23 August 1947) is a Norwegian guitarist and composer. He has been an important member in the Norwegian jazz community, and has also given show concerts with guitarists Ronni Le Tekrøand Mads Eriksen as “N3”. Rypdal was born in Oslo, Norway, the son of a composer and orchestra leader. He studied classical piano and trumpet as a child, and then taught himself to play guitar as he entered his teens. Starting out as a Hank Marvin-influenced rock guitarist with The Vanguards, Rypdal turned towards jazz in 1968 and joined Jan Garbarek’s group and later George Russell’s sextet and orchestra. An important step towards international attention was his participation in the free jazz festival in Baden-Baden, Germany, in 1969, where he was part of a band led by Lester Bowie. During his musical studies at Oslo university and conservatory, he led the orchestra of the Norwegian version of the musical Hair. He has often been recorded on the ECMrecord label, both jazz-oriented material and classical compositions (some of which do not feature Rypdal’s guitar).

Malvina Reynolds (August 23, 1900 – March 17, 1978) was an American folk/blues singer-songwriter and political activist, best known for her songwriting, particularly the songs “Little Boxes“, “What Have They Done to the Rain” and “Morningtown Ride“.

Malvina Milder was born in San Francisco, California, United States, to David and Abagail Milder, Jewishand socialist immigrants, who opposed involvement in World War I. Her mother was born in Russia and her father was born in Hungary. She married William (“Bud”) Reynolds, a carpenter and labor organizer, in 1934. They had one child, Nancy Reynolds Schimmel (a songwriter and performer), in 1935. Malvina earned her Bachelor of Arts and Master of Arts in English from the University of California, Berkeley, and later earned a doctorate there, finishing her dissertation in 1938.

This nebula had never been noted before. Newly discovered nebulas are usually angularly small and found by professionals using large telescopes. In contrast, the Pistachio Nebula was discovered by dedicated amateurs and, although faint, is nearly the size of the full Moon. In modern times, amateurs with even small telescopes can create long exposures over sky areas much larger than most professional telescopes can see. They can therefore discover both previously unknown areas of extended emission around known objects, as well as entirely unknown objects, like nebulas. The pictured Pistachio Nebula is shown in oxygen emission (blue) and hydrogen emission (red). The nature of the hot central star is currently unknown, and the nebula might be labeled a planetary nebula if it turns out to be a white dwarf star. The featured image is a composite of over 70 hours of exposure taken in early June under the dark skies of Namibia.

Donna Jean Thatcher Godchaux-MacKay (born August 22, 1947) is an American singer who was a member of the Grateful Dead from 1972 until 1979.

Donna Jean Thatcher was born in Florence, Alabama. Prior to 1970, she had worked as a session singerin Muscle Shoals, Alabama, eventually singing with a group called Southern Comfort and appearing as a backup singer on at least two #1 hit songs: “When a Man Loves a Woman” by Percy Sledge in 1966 and “Suspicious Minds” by Elvis Presley in 1969. Her vocals were featured on other classic recordings by Boz Scaggs and Duane Allman, Cher, Joe Tex, Neil Diamond and many others. She then moved to California and met future fellow Grateful Dead member Keith Godchaux, whom she married in 1970.

Malachi Favors (August 22, 1927 – January 30, 2004) was an American jazz bassist who played with the Art Ensemble of Chicago.

“Favors’s tendency to dissemble about his age was a well-known source of mirth to fellow musicians of his generation”. Most reference works give his year of birth of 1937, but, following his death, his daughter stated that it was 1927.

Favors primarily played the double bass, but also played the electric bass guitar, banjo, zither, gong, and other instruments. He began playing double bass at the age of 15 and began performing professionally upon graduating from high school. Early performances included work with Dizzy Gillespie and Freddie Hubbard. By 1965, he was a founder of the Association for the Advancement of Creative Musicians and a member of Muhal Richard Abrams‘ Experimental Band.

John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001 Tutwiler, MS) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in Rolling Stone‘s 2015 list of 100 greatest guitarists.

Some of his best known songs include “Boogie Chillen’” (1948), “Crawling King Snake” (1949), “Dimples” (1956), “Boom Boom” (1962), and “One Bourbon, One Scotch, One Beer” (1966). Several of his later albums, including The Healer (1989), Mr. Lucky (1991), Chill Out (1995), and Don’t Look Back (1997), were album chart successes in the U.S. and UK. The Healer (for the song “I’m in the Mood”) and Chill Out (for the album) both earned him Grammy wins as well as Don’t Look Back, which went on to earn him a double-Grammy win for Best Traditional Blues Recording and Best Pop Collaboration with Vocals (with Van Morrison).

Steven Bruce Smith (born August 21, 1954) is an American drummer best known as a member of the rock band Journey across three stints: 1978 to 1985, 1995 to 1998 and 2015 to 2020. Modern Drummer magazine readers have voted him the No. 1 All-Around Drummer five years in a row. In 2001, the publication named Smith one of the Top 25 Drummers of All Time, and in 2002 he was voted into the Modern Drummer Hall of Fame. He was inducted into the Rock and Roll Hall of Fame as a member of Journey on April 7, 2017.

Smith received his first drum kit at age two and in 1963 he began taking formal lessons with local Boston area drum teacher Bill Flanagan, who played in big bands in the swing era. Smith got his first “real” drum set when he was 12 years old. On many nights, Steve could be heard practicing in a small shed in the backyard of his Harvard Street home. Smith performed in the usual school band program and garage bands while in his teens, including Clyde, a South Shore sensation, but also began to broaden his performing experience by playing in a professional concert band and the big band at local Bridgewater State College.

Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhornplayer. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition “Farmer’s Market” in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player.

As Farmer’s reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan‘s quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and he helped to establish the flugelhorn as a soloist’s instrument in jazz. He settled in Europe in 1968 and continued to tour internationally until his death. Farmer recorded more than 50 albums under his own name, a dozen with the Jazztet, and dozens more with other leaders. His playing is known for its individuality – most noticeably, its lyricism, warmth of tone and sensitivity.

Art Farmer was born an hour before his twin brother, on August 21, 1928, in Council Bluffs, Iowa, reportedly at 2201 Fourth Avenue. Their parents, James Arthur Farmer and Hazel Stewart Farmer, divorced when the boys were four, and their steelworker father was killed in a work accident not long after this. Art moved with his grandfather, grandmother, mother, brother and sister to Phoenix, Arizona when he was still four.

William James “Count” Basie (/ˈbeɪsi/; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two “split” tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry “Sweets” Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.

William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced horses, his father became a groundskeeper and handyman for several wealthy families in the area. Both of his parents had some type of musical background. His father played the mellophone, and his mother played the piano; in fact, she gave Basie his first piano lessons. She took in laundry and baked cakes for sale for a living. She paid 25 cents a lesson for Count Basie’s piano instruction.

What kind of cloud is this? A type of arcus cloud called a roll cloud. These rare long clouds may form near advancing cold fronts. In particular, a downdraft from an advancing storm front can cause moist warm air to rise, cool below its dew point, and so form a cloud. When this happens uniformly along an extended front, a roll cloud may form. Roll clouds may actually have air circulating along the long horizontal axis of the cloud. A roll cloud is not thought to be able to morph into a tornado. Unlike a similar shelf cloud, a roll cloud is completely detached from their parent cumulonimbus cloud. Pictured here, a roll cloud extends far into the distance as a storm approaches in 2007 in Racine, Wisconsin, USA.