Newborn stars are forming in the Eagle Nebula. Gravitationally contracting in pillars of dense gas and dust, the intense radiation of these newly-formed bright stars is causing surrounding material to boil away. This image, taken with the Hubble Space Telescope in near infrared light, allows the viewer to see through much of the thick dust that makes the pillars opaque in visible light. The giant structures are light years in length and dubbed informally the Pillars of Creation. Associated with the open star cluster M16, the Eagle Nebula lies about 6,500 light years away. The Eagle Nebula is an easy target for small telescopes in a nebula-rich part of the sky toward the split constellation Serpens Cauda (the tail of the snake).
Eric Allan Dolphy, Jr. (June 20, 1928 – June 29, 1964) was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence around the same time. His use of the bass clarinet in jazz performance probably finally established the instrument in the music, and he extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
His improvisational style was characterized by the use of wide intervals, in addition to using an array of extended techniques to emulate the sounds of human voices and animals. Although Dolphy’s work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional (if highly abstracted) tonal bebop harmony and melodic lines that suggest the influences of modern classical composers such as Béla Bartók and Igor Stravinsky.
Dolphy was born in Los Angeles to Eric Allan Dolphy, Sr. and Sadie Dolphy, who immigrated to the United States from Panama.
Lazy Lester (born Leslie Carswell Johnson, June 20, 1933 Torras, Louisiana) is an American blues musician who sings and plays the harmonica and guitar. His career has spanned the 1950s to the present day.
Best known for regional hits recorded with Ernie Young’s Nashville-based Excello Records, Lester also contributed to songs recorded by other Excello artists, including Slim Harpo, Lightnin’ Slim, and Katie Webster. Cover versions of his songs have been recorded by (among others) the Kinks, the Flamin’ Groovies, Freddy Fender, Dwight Yoakam, Dave Edmunds, Raful Neal, Anson Funderburgh, and the Fabulous Thunderbirds. In the comeback stage of his career (since the late 1980s) he has recorded new albums backed by Mike Buck, Sue Foley, Gene Taylor, Kenny Neal, Lucky Peterson, and Jimmie Vaughan.
Obo Addy was born January 15, 1936. He was a prominent member of the first generation of African musicians to bring their traditional and popular music to Europe and the United States of America. This versatile magician of the drums embodied the past, present and future of Ghana’s musical culture. He celebrated past traditions while embracing new ideas and foreign influences. Internationally, Obo Addy’s contribution can be measured by the fact that he was one of the key originators of the seminal musical movement now known as “Worldbeat.”
This new ESO Very Large Telescope image shows the planetary nebula Fleming 1 in the constellation of Centaurus (The Centaur). This striking object is a glowing cloud of gas around a dying star. New observations have shown that it is likely that a very rare pair of white dwarf stars lies at the heart of this object. Their orbital motions can fully explain the remarkably symmetric structures of the jets in the surrounding gas clouds in this and similar objects.
Fleming 1 is an unusual planetary nebula situated in the Centaurus constellation. It has a pair of symmetrical jets spanning more than 2.8 pc and delineated with a number of knots. The jets and knots are moving away from the center of the nebula and were probably ejected 10,000 to 16,000 year ago. The innermost part of the nebula has a butterfly shape and is immersed into a faint halo. The butterfly’s wings point in the direction of jets with their axis titled by 50° to the line of sight. The waist of the “butterfly” is surrounded by a torus of expanding hot gas forming the inner bright ellipse. Fleming 1 is probably 5,000 years old.
Distance 2,400 pc ly
Ernest Ranglin OD (born 19 June 1932) is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. Ranglin has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. He is noted for a chordal and rhythmic approach that blends jazz, mento and reggaewith percussive guitar solos incorporating rhythm ‘n’ blues and jazz inflections.
Ernest Ranglin was born in Manchester, West Central Jamaica. His family moved to Kingston, where he attended the Providence Primary School, Kingston Senior School and Bodin College. Ranglin’s introduction to music was through two uncles who both played guitar. Initially a self-taught guitarist; he received some tutoring on how to sight-read from a violin player named Tommy Tomlins. At the age of 15, Ranglin joined the Val Bennett Orchestra, which was followed by a period of employment with the Eric Deans Orchestra. While performing locally with these orchestras Ranglin was introduced to the jazz pianist Monty Alexander, which led to a lifelong friendship as well as numerous musical collaborations.
Drummond learned jazz from an early age from his father, who was a drummer and a jazz enthusiast and whose record collection included many recordings of Miles Davis, Art Blakey, Max Roach, Buddy Rich and Elvin Jones. He played in bands from age eight and studied at Shenandoah College and Conservatory of Music.
He moved to New York at the behest of Al Foster in 1986 and shortly thereafter joined the Blue Note band, Out of the Blue, with whom he recorded their last album. He joined the Horace Silver sextet, with whom he toured extensively, before joining Sonny Rollins, with whom he toured for three years. He is a long-time member of Carla Bley‘s Lost Chords Quartet, Sheila Jordan‘s Quartet, and the Steve Kuhn Trio. He also leads a New York-based band called Freedom of Ideas. In addition to touring he is Professor of Jazz Drums at the Juilliard School and New York University.
A sideman on over 300 records, Drummond has played and recorded with Nat Adderley, Ralph Moore (1989 and subsequently), Buster Williams(1990–93), Charles Tolliver (1991), Lew Tabackin and Toshiko Akiyoshi, Hank Jones (1991), James Moody (early 1990s), Sonny Rollins, Andy LaVerne (1994), Lee Konitz (1995), Dave Stryker (1996), George Colligan (1997), Ted Rosenthal, Bruce Barth, Andrew Hill (from 1997–2000), Larry Willis (2006 to the present), Toots Thielmans, Freddie Hubbard (mid-1990s), Chris Potter, Eddie Gómez, Stanley Cowell, Javon Jackso.
Lela Tataraidze grew up in a family of musicians from Tusheti, the mountainous region of Georgia. With her sad eyes but a happy face, she is an excellent accordion and panduri player, and also a brilliant vocalist, who sings the popular songs of the mountains with a lot of emotion.