Accompanying Yom Kippur Service at Mt Zion Temple in St Paul Wednesday September 19th 2018 430pm
Yom Kippur, also known as the Day of Atonement, is the holiest day of the year in Judaism. Its central themes are atonement and repentance. Jewish people traditionally observe this holy day with an approximate 25-hour period of fasting and intensive prayer, often spending most of the day in synagogue services.
Inside the Cocoon Nebula is a newly developing cluster of stars. The cosmic Cocoon on the upper right also punctuates a long trail of obscuring interstellar dust clouds to its left. Cataloged as IC 5146, the beautiful nebula is nearly 15 light-years wide, located some 3,300 light years away toward the northern constellation of the Swan (Cygnus). Like other star forming regions, it stands out in red, glowing, hydrogen gasexcited by young, hot stars and blue, dust-reflected starlight at the edge of a nearly invisible molecular cloud. In fact, the bright star near the center of this nebula is likely only a few hundred thousand years old, powering the nebular glow as it slowly clears out a cavity in the molecular cloud‘s star forming dust and gas. This exceptionally deep color view of the Cocoon Nebula traces tantalizing features within and surrounding the dustystellar nursery.
(also Caldwell 19, Sh 2-125)
David Bromberg (born September 19, 1945) is an American multi-instrumentalist, singer, and songwriter. An eclectic artist, Bromberg plays bluegrass, blues, folk, jazz, country and western, and rock and roll. He is known for his quirky, humorous lyrics, and the ability to play rhythm and lead guitar at the same time.
Bromberg has played with many famous musicians, including Jerry Jeff Walker, Willie Nelson, Jorma Kaukonen, Jerry Garcia, Rusty Evans (The Deep) and Bob Dylan. He co-wrote the song “The Holdup” with former Beatle George Harrison, who played on Bromberg’s self-titled 1972 album. In 2008, he was nominated for a Grammy Award. Bromberg is known for his fingerpicking style that he learned from Reverend Gary Davis.
Coxhill was born to George Compton Coxhill and Mabel Margaret Coxhill (née Motton) at Portsmouth, Hampshire, UK. He grew up in Aylesbury, Buckinghamshire, and bought his first saxophone in 1947. After national service he became a busy semi-professional musician, touring US airbases with Denzil Bailey’s Afro-Cubists and the Graham Fleming Combo. In the 1960s he played with visiting American blues, soul and jazz musicians including Rufus Thomas, Mose Allison, Otis Spann, and Champion Jack Dupree.
Muhal Richard Abrams (born Richard Lewis Abrams; September 19, 1930 – October 29, 2017) was an American educator, administrator, composer, arranger, clarinetist, cellist, and jazz pianist in the free jazz medium. He recorded and toured the United States, Canada and Europe with his orchestra, sextet, quartet, duo and as a solo pianist. His musical affiliations is a “who’s who” of the jazz world, including Max Roach, Dexter Gordon, Eddie “Lockjaw” Davis, Art Farmer, Sonny Stitt, Anthony Braxton, and The Art Ensemble of Chicago.
Abrams’s mother, Edna, was born in Memphis. His father, Milton, was born in Alabama and moved with his parents to Chicago.
The subject of this NASA/ESA Hubble Space Telescope image is known as NGC 3597. It is the product of a collision between two good-sized galaxies, and is slowly evolving to become a giant elliptical galaxy. This type of galaxy has grown more and more common as the Universe has evolved, with initially small galaxies merging and progressively building up into larger galactic structures over time.
NGC 3597 is located approximately 150 million light-years away in the constellation of Crater (The Cup). Astronomers study NGC 3597 to learn more about how elliptical galaxies form — many ellipticals began their lives far earlier in the history of the Universe. Older ellipticals are nicknamed “red and dead” by astronomers because these bloated galaxies are not anymore producing new, bluer, stars in ages, and are thus packed full of old and redder stellar populations.
Before infirmity sets in, some freshly formed elliptical galaxies experience a final flush of youth, as is the case with NGC 3597. Galaxies smashing together pool their available gas and dust, triggering new rounds of star birth. Some of this material ends up in dense pockets initially called proto-globular clusters, dozens of which festoon NGC 3597. These pockets will go on to collapse and form fully-fledged globular clusters, large spheres that orbit the centres of galaxies like satellites, packed tightly full of millions of stars.
Though he was certainly capable of brilliantly fronting a band, remarkably versatile guitarist/harpist Louis Myers will forever be recognized first and foremost as a top-drawer sideman and founding member of the Aces — the band that backed harmonica wizard Little Walter on his immortal early Checker waxings.
Along with his older brother David — another charter member of the Aces — Louis left Mississippi for Chicago with his family in 1941. Fate saw that the family move next door to blues great Lonnie Johnson, whose complex riffs caught young Louis‘ ear. Another Myers brother, harp-blowing Bob, hooked Louis up with guitarist Othum Brown for house party gigs. Myers also played with guitarist Arthur “Big Boy” Spires before teaming with his brother, David, on guitar and young harpist Junior Wells, to form the first incarnation of the Aces (who were initially known as the Three Deuces). In 1950, drummer Fred Below came on board.
In effect, the Aces and Muddy Waters traded harpists in 1952, Wells leaving to play with Waters while Little Walter, just breaking nationally with his classic “Juke,” moved into the frontman role with the Aces. Myers and the Aces backed Walter on his seminal “Mean Old World,” “Sad Hours,” “Off the Wall,” and “Tell Me Mama” and at New York’s famous Apollo Theater before Louis left in 1954 (he and the Aces moonlighted on Wells‘ indispensable 1953-1954 output for States).
Plenty of sideman work awaited Myers — he played with Otis Rush, Earl Hooker, and many more. But his own recording career was practically non-existent; after a solitary 1956 single for Abco, “Just Whaling”/”Bluesy,” that found Myers blowing harp in Walter-like style, it wasn’t until 1968 that two Myers tracks turned up on Delmark.